Digital artwork based on :Man Ray Rayogram, 1924
Creation of the model with 3D program (Blender)
- Post production with Photoshop
Original :Man Ray Rayogram, 1924 Silver gelatin print 29 x 21,5 cm
Works are a detail reworked of my installation in 3D
The mirror, as multiplicity and continuous playback.
The mirror, where the invisible overlaps the original and the hidden appears suddenly.
The mirror, as an illusion of which you can not do without.
The mirror as a projection in an unreal dimension.
The mirror that opens the door to ....
The work is a detail reworked of my installation in 3D.
In Greek mythology, Maenads, and Bacchantes,in Roman mitology, were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox-skin. Their name literally translates as "raving ones” .Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes.
The tension towards a balance has inspired this work. simple circular and triangular loops overlapping, intersecting layers, creating a harmony of volume. The black and white in which whirling flashes of light make you want to silence and listening, after it was eliminated any disturbance
The Chaos, in the primitive sense of the Greek term, is the immensity not measurable and unlimited of the primitive space ( and so the blend and the disorder and the fortuity) in which the kosmos originates, that is the beautiful, good and rational order of the world, which always comes from a messy background. The Chaos is not definitely passed by the construction of an intelligible world and of the shapes, but it still continues to be as the foundation on which also the Kosmos stand.
It could be understood as a creative act of the artist who derives a sense and a aesthetic and meaningful order from the formless matter. This vision of the Greek cosmogony goes straight up to our ages, in which the view of an universe regulated by the relativity alongside the quantum mechanic gives us an universe regulated by the fortuity of the events.
Giovanna Cerise's Slidely Gallery by Slidely Photo Gallery
- ▼ agosto (9)
- ► 2015 (11)
- ► 2013 (11)
- ► 2012 (20)
- ► 2011 (17)
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Some photos from my installations by Slidely Slideshow